Introducing: Atlantic Canada Reads

May 12, 2010 by · Leave a Comment 

Chad Pelley is the Newfoundland-based author of Away from Everywhere, a book that has been on yr. humble correspondent’s to-read list for several months now. He’s also the brains behind Salty Ink, a literary site devoted to Atlantic Canadian writers and writing. In the latter capacity, he’s inaugurated a program called Atlantic Canada Reads, modelled on the CBC’s annual literary smackdown, Canada Reads, and the National Post‘s upstart alternative, Canada Also Reads. Pelley’s asking people to e-mail him with suggestions for an Atlantic Canadian book of fiction they’d like to defend. He’ll narrow the submissions down to a longlist that will be revealed on June 1, followed by a “well-rounded” shortlist with accompanying essays from the selected books’ defenders beginning June 14. The winner by popular vote will be announced on Canada Day (July 1 for all you non-Canuks out there).

TSR caught up with Pelley to discuss the impetus behind this newest variation on the Canada Reads template.

TSR: Why an Atlantic Canadian version of Canada (Also) Reads?

Chad Pelley: The simple answer: Salty Ink’s niche, or mandate, is to promote Atlantic Canadian fiction and poetry. Hence Atlantic Canada reads. The goal here is simply to have fun promoting books. As for why I played off the popular Canada Reads competition, especially since The Afterword recently played off the same competition with Canada Also Reads … I thought the title was catchy. I could be accused of ripping off two great competitions, but I really see it as a nod to CBC and The Afterword. Salty Ink is young, having only been launched in November, and given its esoteric niche, doesn’t have the readership those other places have. Atlantic Canada Reads will grab more attention than a similar but differently titled competition.

TSR: How have you been influenced by Atlantic Canadian writers?

CP: I’m a writer myself, who wasn’t entirely aware of this this influence until my debut novel came out in 2009. I did quite a few radio shows and interviews, and every time I was asked about influences, I realized it was consistently a Newfoundland author, if not an Atlantic Canadian. There is such a diversity of style, delivery, and subject matter coming out of here. I consider myself a “best of collection” of my favourite books (but by no means as “good” as these authors). I like the sentence-level evocative elegance of Lisa Moore’s writing, I like Michael and Kathleen Winter’s attention to detail, I admire Kenneth J. Harvey’s versatility in style and story and his trademark graceful grittiness, I like Jessica Grant’s fresh, unique stories and how she delivers them, I like how Michael Crummey constructs a novel, I’m floored at what Amy Jones does with narrative structure … and I could keep going and going. I like how David Adams Richards’ Mercy Among the Children was like getting your heart stomped on, it was that engaging.

TSR: Do you think these kinds of competitions/lists (e.g. Stephen Patrick Clare and Trevor J. Adams’ book Atlantic Canada’s 100 Greatest Books) have literary legitimacy? Should literature be considered a contest, or is the merit of these endeavours simply in bringing attention to work that might otherwise get overlooked?

CP: I think the notion of competitions and awards is fundamentally absurd – how can you really compare two works of fiction? On what grounds? And every judge, no matter how objective, has a bias. But competitions are a good form of promotion nonetheless. And recognition. I can’t speak for others, but in my case, everything Salty Ink does is intended to be all for fun in the name of book promotion. As an “emerging” writer, I am well aware how important promotion and word of mouth are in this industry. The stat is that someone needs to hear about a book seven to 11 times before they’ll buy it. Salty Ink is just trying to be one or two of those influential mentions.

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