Of unfamiliarity and genius: a couple of thoughts about the 2012 Scotiabank Giller Prize shortlist

October 3, 2012 by · 1 Comment 

A couple of things interest me about the 2012 Scotiabank Giller Prize shortlist, which was announced on Monday. For those who missed it, the five anointed titles are:

  • 419 by Will Ferguson
  • Inside by Alix Ohlin
  • The Imposter Bride by Nancy Richler
  • Ru by Kim Thúy
  • Whirl Away by Russell Wangersky

The first thing that struck me was the number of people – even highly bookish people – who claimed to be unfamiliar with these titles. I realize that I operate from a position as an industry insider, but even so, these are hardly obscure books from small publishers. Certainly Will Ferguson is a known quantity in CanLit, and Alix Ohlin has been written about and discussed widely, including fallout from a notoriously vicious review she was given by The New York Times (itself not exactly an obscure organ). Ohlin also found herself on the shortlist for another major award – the Rogers Writers’ Trust Fiction Prize – earlier this fall. (She is the only author to appear on both lists.) Thúy’s debut novel is already a prize winner, having picked up the Governor General’s Literary Award for its original French version, and both Richler and Wangersky are authors with multiple publications to their names.

But then, perhaps my surprise is unfounded. Precious few people in English Canada pay attention to what gets published in Quebec, so it’s hardly unexpected that Anglo readers would be ignorant of a Francophone first novel, even one that has won a major literary prize. Thúy’s novel is also the most frankly literary of the five books, and not the kind of thing general readers seem to be gravitating toward in large numbers these days. Both Richler and Wangersky have tended to fly under the radar for the bulk of their writing careers.

Anecdotal evidence from booksellers suggests that none of the five nominated titles sold up to expectations prior to the Giller shortlist announcement. This, too, seems unsurprising in a year in which anything unrelated to Fifty Shades of Grey or not written by J.K. Rowling has tended to fall through the cracks.

And there are no powerhouse titles that everyone can agree on this year. Last year saw two books – Patrick deWitt’s The Sisters Brothers and Esi Edugyan’s Half-Blood Blues – dominate prize lists both here and abroad (in addition to the three major domestic prizes, both were shortlisted for the Man Booker Prize in the U.K.). This year, of fifteen spots on the power trio of shortlists for fiction – the Giller, the GG, and the Writers’ Trust – only three names overlap – Ohlin, Tamas Dobozy, and Linda Spalding – and no one appears on all three lists.

So perhaps the lack of awareness around the authors on this year’s Giller shortlist is to be expected. Still, in a year in which some really overlooked names continue not just to fly under the radar, but to vanish from the field altogether, it’s a bit startling. If a scant few readers can claim familiarity with Will Ferguson or Alix Ohlin, how many can be expected to have heard of – much less read – worthy books by John Vigna, Anne Fleming, Yasuko Thanh, Alice Petersen, Tamara Faith Berger, Andrew Hood, or Esmé Claire Keith? On second thought, don’t answer that.

The second thing that interests me about this year’s shortlist involves something that John Barber alluded to in his column for The Globe and Mail. About Monday’s shortlist announcement, Barber writes:

Although sufficiently complimentary about all five of the nominated titles, this year’s Giller jury was fulsome on the subject of 419, tipping it as the clear front-runner in this year’s competition for the $50,000 prize.

Indeed, the jury citation for Ferguson’s novel, read by juror Anna Porter at Monday’s press conference, is somewhat remarkable. It calls 419 “something entirely new: the Global Novel.” This, of course, is nonsense: globetrotting thriller writers have been writing “global novels” for years. Robert Ludlum and Tom Clancy built very lucrative careers doing exactly that. Nevertheless, the language is tellingly effusive.

So, too, is the jury’s assessment that “It is tempting to put 419 in some easy genre category, but that would only serve to deny its accomplishment and its genius.” Note the significance of what has happened here: right out of the gate, this year’s Giller jury – also composed of American author Gary Shteyngart and Irish author Roddy Doyle – has declared one of their nominees a work of genius.

All things being equal, it appears 419 is the book to beat when the prize announcement is made on October 30.